From the blog:
DRM just flat out sucks.
Its most obvious problem is that it doesn’t work. No matter how sophisticated the particular software, it only takes one person to break it, once, and the music that was “protected” by the DRM is free to roam the vast expanses of the P2P networks. Itâ€™s the most ridiculous house-of-cards model imaginable: one single breech and the whole system implodes. As if to underscore the superlative absurdity of their goal, the lightbulb-heads also managed to cook up software that is comically easy to break. Way to go, guys.
s I understand it, EMI decreed that all of its labels (including our label Capitol) would be required to copy protect all of their releases starting on the day of our albumâ€™s release. When I heard this, I fucking lost it. Not only did our label want to make a gigantic business mistake across the board, but we, apparently arbitrarily, were chosen to be at the prow of the crashing ship. Guinea pigs, as it were.
And the more tempered Times piece:
Conscientious fans, who buy music legally because it’s the right thing to do, just get insulted. They’ve made the choice not to steal their music, and the labels thank them by giving them an inferior product hampered by software that’s at best a nuisance, and at worst a security threat.